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e.g. Film or "Bass Lab"

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AR Arranging
CM Composition
COND Conducting
CP Counterpoint
CW Contemporary Writing and Production
DAN Dance
EN Ensemble
EP Electronic Production and Design
ET Ear Training
FS Film Scoring
HR Harmony
ICE Institute for Creative Entrepreneurship
IL Instrumental Labs
IS Instrumental Studies
IN Internships**
L Liberal Arts*
MB Music Business/Management
ME Music Education
MHIS Music History
MLAN Music Literature and Analysis
MP Music Production and Engineering
MTEC Music Technology
MTH Music Therapy
MTI Music Technology Innovation (Valencia Campus Only)
PFET Performance Ear Training
PFSS Performance Styles/Survey
PI Private Instruction
PM Professional Music
PS Performance Studies
PW Professional Writing
RP Recital Preparation
SMGT Stage Management
SW Songwriting

*Liberal Arts sub-categories:

LENG English
LENS Entering Student Seminar
LFRN French
LHIS History
LHUM Humanities
LJPN Japanese
LMSC Math/Science
LMAS Music and Society
LPHL Philosophy
LSOC Social Sciences
LSPN Spanish
LVIS Visual Studies

**to see all internship-related courses, leave course number blank and enter "internship" in the course title box.

Traditional Microtonal Theory and Application

PSHR-270

This course will introduce students to the theory of musical cultures in the eastern Mediterranean basin and North Africa. Course work will include listening and analysis, in-class performance on instruments and voice, and theoretical analysis of the maqam system, modulation, and improvisational schemes. The course will include also learning iqa, the complex rhythmic modes that go hand in hand with forms based on the maqam.

Electable By

All

Prerequisites

None

Course Chair

David Wallace

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Harmonic Considerations in Improvisation 1

PSHR-321

Exploration of the relationship between improvisation and harmonic context. Analysis of harmonically sophisticated music using analytical techniques from HR-212. The use of chord scales in improvisation and analysis of recorded jazz solos. Discussion of specific harmonic idioms and their related improvising styles. Solos of John Coltrane, Herbie Hancock, Woody Shaw, and other influential soloists.

Electable By

All

Prerequisites

HR-212

Course Chair

Karen Bell

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Harmonic Considerations in Improvisation 2

PSHR-322

Continued exploration of the relationship between improvisation and harmonic context. Analysis of contemporary compositions and their harmonic implications applied to the craft of improvisation. Symmetrical scales, two- and three-tonic systems, and rhythm devices. Repertoire studied will include solos by John Coltrane, Dave Liebman, Ornette Coleman, Steve Grossman, and Herbie Hancock.

Electable By

All

Prerequisites

PSHR-321

Course Chair

Karen Bell

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