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"I teach the basics of conducting—technique, style, and how to approach the work. Beyond that, I teach how to analyze a score. You have to de-compose the work in order to build it again, so that you can understand the different aspects of the composition."
"A good conductor must be able to transmit with body language. In order to transmit, you need technique. You have to convey your intentions not with long speeches, but mainly with your gestures. I conducted an orchestra in China, and I do not speak Chinese. But I can communicate what I want, musically."
"I've conducted more than 70 orchestras around the world. Of course you notice some differences. In Latin America and Eastern Europe, the orchestras are supported by the state, so they have more time to rehearse. I find the American and Western European orchestras, which are privately supported, must work faster. You prepare a concert faster with them."
"I have over 600 works in my repertoire, and I am at a moment in my life where I am able to transmit my experiences to students. I find Berklee to be the right environment to do so."
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