Anne H. Goldberg-Baldwin

Anne H. Goldberg-Baldwin, a vanguard of interdisciplinary performance art, blurs the definitions of music and dance as a composer, choreographer, performer, and educator. She is cofounder and artistic director of the Tempus Continuum Ensemble, a new music ensemble that premieres and performs her music and that of other 20th- and 21st-century composers. Touring coast to coast and internationally, Goldberg-Baldwin has had her music premiered and performed by Wet Ink Ensemble, ensemble mise-en, the Boston New Music Institute, the Novatrio, and NeoLit Ensemble; and at festivals such as the International Ferienkurse für Neue Musik Darmstadt and the Summer Institute for Contemporary Performance Practice at New England Conservatory.

Her artistry has been featured at New York venues such as Symphony Space, the Kitchen, the Flea Theater, and many others nationally and internationally. In addition to Tempus Continuum Ensemble, Goldberg-Baldwin is founder and artistic director of dance and multimedia at the Synthesis Aesthetics Project. Through the project, she has produced, composed, choreographed, and directed a variety of productions, most recently as emerging-artist-in-residence at The Field.

Goldberg-Baldwin’s fascination with notation and performance art led her to her research subject: examining the composer-performer dichotomy from a semiological standpoint. She embarked on her study in semiology of the composer-performer, the study of signs and symbols, to decipher the various stages of conception, interpretation, and reflection of pieces.

Goldberg-Baldwin is a freelance performer and educator in the Seattle, New York City, and Boston areas on a multitude of projects ranging from recording sessions to live events. She actively commissions, records, and premieres works for English horn, oboe, and piano solo, as well as holding an annual call-for-scores with collaborators at the Tempus Continuum Ensemble.